Archive for October, 2005

Arlo - a little travelling music, if you please…

Yeah, it’s Friday – barely. I’m going to bed in a couple of minutes and then I’ll spend most of the day on the road to the TTA’s. So, in the meantime, here’s what I might be listening to on my iPod if I set it to shuffle.

  1. “Take Me to the Back Seat” – The Donnas
  2. “My Love is Forever” – Prince
  3. “Rewind” – MC Frontalot
  4. “House” – The Spin Doctors
  5. “My Peanuts” – NWH
  6. “Down Where the Drunkards Roll” – Fiona Joyce
  7. “Every Time You Go Away” – Brian McKnight
  8. “The Feel Like I’m Gonna Cut My Head Off Blues” – Adam Brodsky
  9. “History in the Hands of Playwrights” – Harry J. Elam, Jr. (Thanks, Stanford on iTunes!)
  10. “One World” – Dire Straits

Thursday, October 27th, 2005

Boll-ing for Dollars

I have yet to review any of Uwe Boll’s movies over at The Anvil & Sprocket – primarily because I have a low threshhold for cinematic pain. Although it won’t be long before I’ll feel compelled to actually go and review House of the Dead. I’m sure that my pain and misery will then provide much amusement for you.

In the meantime, there’s an interesting little article over at Cinema Blend about the man, the legend, the sorry excuse for a filmmaker, Uwe Boll. Stuart Wood has a theory. And that theory is that Uwe Boll isn’t just bad – he’s bad all the way to the bank.

Hollywood has a long history of sourcing international investors for projects. Often you will find that filming in a certain country offers incentives and tax breaks not offered in the US. Usually though, you’ll find that in order to be entitled to them, you have to meet certain conditions, for example filming in that particular country and/or employing a certain percentage of native workers as your film crew. Germany has these incentives but, crucially, no such restrictive requirements put upon them. Germans can fund your movie and you can make it wherever and however you like.

But crucially, the bizarre tax laws in Germany mean that any wealthy Germans who invest in a movie can write-off the production cost, delay paying their taxes and generally reduce their tax burden. When you disseminate all the boring legal business law surrounding it the bottom line is this – the German investors in a movie only pay tax on any RETURNS the movie makes, their investment is 100% deductible, so the minute the movie makes a profit, said investor has to start paying tax. Plus the investors can actually borrow money to put towards investment and write that off too. Assuming you’re a sharp enough businessman you have a potential goldmine in the making; a way to make money from investing in bad movies…

Enter a German by the name of Dr. Uwe Boll. (Pronounced “Ooo-vay Bowl� in case you’ve ever lain alone at night and wondered. I know I have.)

Frankly, I feel that calling Uwe Boll a modern-day Ed Wood is a serious insult to Ed Wood. But I guess that means I’m just feeding the monster.

Thursday, October 27th, 2005

Ten, t-ten-ten-ten…

Bust a deal, spin the wheel! What does the magic shuffle button hold for us this week?

  1. “In the Flesh” – Luther Wright and the Wrongs
  2. “What Time is It?” – Spin Doctors
  3. “Happier” – Guster
  4. “Belgium” – Bowling for Soup
  5. “Chen Rezi” – Sundari
  6. “Ghiudi Gli Occhi” – Caruso
  7. “Green and Gray” – Nickel Creek
  8. “Taking my Life in your Hands” – Elvis Costello & the Brodsky Quartet
  9. “Sugarfree” – Sugarplum Fairies
  10. “Out Ta Get Me” – Guns ‘n’ Roses

Friday, October 21st, 2005

Look for the label.

In what would seem to be a warning sign concerning the world’s shifting attitude toward American culture, the U.N. has passed a resolution that would allow countries to subsidise their film industries and restrict the release of foreign cultural work on their markets.

A Franco-Canadian initiative, which has won broad backing as a swipe at US “cultural imperialism”, could mean that countries will be able to subsidise domestic film industries and restrict foreign music and content on their radio and television stations in the name of preserving and promoting cultural diversity.

A commission of the United Nations Educational, Scientific and Cultural Organisation late on Monday voted overwhelmingly in favour of the text and the body’s general assembly, meeting in Paris, is expected to follow suit tomorrow.

The US, supported only by Israel, filed 27 amendments in an unsuccessful bid to water down the resolution, criticising it as “flawed”, “ambiguous” and “protectionist”. France, which has long defended its right to a “cultural exception”, could barely conceal its delight. “We are no longer the black sheep on this issue,” said the culture minister, Renaud Donnedieu de Vabres, adding that the text was “a clear recognition” that cultural goods such as film, TV programmes and music are not “merchandise like any other” and should be treated separately in world trade talks.

Said the RIAA and MPAA, “Crap.”

The international market for U.S. cultural products has become increasingly significant, many times making the difference in whether a studio takes a bath on a film or winds up turning a respectable profit (__Waterworld__ springs to mind). Of course, such profit protection comes at the expense of international cultural exchange, with the vast majority of the world winding up culturally colonized by the corporate entities that make up the American entertainment industry. On an international scale, it’s hard to name five major entertainment industries outside of the United States that produce material with an eye toward exporting to foreign markets. I have India, Hong Kong, Japan, and – apparently – Nigeria (hold your e-mail scam jokes until the end, please). Are there any that I’ve missed? Anyone? Canada? Are you raising your hand?

Of course, while other countries are looking at subsidising their cultural industries, the United States Gummint is looking to tighten its belt. Sure, I’ve posted on this before, but this is a new entry. Let’s see if we can spot some of the major flaws here, shall we?

The Republican Study Committee, a conservative group within the House GOP caucus, has launched Operation Offset to cut spending by $102.1 billion in this year’s budget to help pay for rebuilding New Orleans and other devastated environs. Among the targets in the group’s bull’s-eye: The National Endowment for the Arts and the Corporation for Public Broadcasting.

Officials estimate that the rebuilding effort will exceed $200 billion, and conservative lawmakers are uneasy about picking up that tab. It would add to a deficit that already had been projected to reach $314 billion.

“Congress must ensure that a catastrophe of nature does not become a catastrophe of debt for our children and grandchildren,” said Rep. Mike Pence, R-Ind., the committee’s chairman.

Ahem.

First of all, I would like to point out that the projected deficit of $314 billion was a surplus but a scant five years ago before a series of ill-advised tax cuts and the start of an unpopular and expensive war that resulted in the awarding of billions of dollars in no-bid contracts to corporations whose former bigwigs now populate the current administration

Second, where was Mike Pence when the previously mentioned war started? Despite the administration’s every effort, they still have not managed to draw a connection between Iraq and the attacks on 9/11. And while they continue to argue that “we’re fighting them over there so we won’t have to fight them here,” they can’t erase the fact that Iraq has become a major terrorist staging ground in the days since Operation Iraqi Freedom began. Mike Pence is worried now about “a catastrophe of debt for our children and grandchildren,” but wasn’t that one of the arguments against going into Iraq? And wasn’t that one of the arguments against Bush’s tax cuts when he first proposed them? I am already part of a generation that will have to help pay down Bush’s debt – and I can barely afford to pay down my own. Not to mention the fact that the administration wants to make that even harder.

You can’t run up a massive debt over the protests of the people, hand plum contracts to your buddies, spend like there’s no tomorrow and cut your major source of funding, then cut services to the community and claim that you’re doing it so that our children and grandchildren won’t have to pay. That’s dishonest, hurtful, and just plain boorish.

If the Republican Study Group gets its way, part of the savings will come from eliminating federal funding for the arts and public television. According to Mr. Pence, that would save the Treasury $1.8 billion over 10 years—a down payment on the Katrina bill.

Note that the figure is the amount of money saved over 10 years. Which means that in order to make the figure seem like a lot to the American public. They had to multiply it by 10. Here’s a number I didn’t have to multiply. $202,022,264,598.00. That’s the cost of the war in Iraq as of 12:06 PM on October 19, 2005 (according to costofwar.com). And that’s a number that is steadily climbing. The “down payment” on the Katrina rebuilding effort that the Republican Study Group is pushing so hard would take ten years to make. Go down to your local car dealership and ask the dealer if you can make the down payment on your car over a period of ten years. Hell, ask if you can spread the down payment out over the course of one year. Tell me how hard they laugh. Rounding the suggested 10-year “down payment” up to an even $2 billion and assuming that the rebuilding effort somehow manages to come in at the ballpark figure of 200 billion, that’s still roughly 1,000 years for the “savings” to pay off that debt – which will still be just a small fraction of the total debt racked up by this administration.

Pray, continue.

Mr. Pence and the Republican Study Committee note that the CPB and the Public Broadcasting System “continue to use federal funding to pay for questionable programming, such as a documentary on sex education funded by the Playboy Foundation.” A lot of the programming, such as the popular children’s show Sesame Street, “could bring in enough annual revenues to cover the loss of federal funding.”

Rep. Patrick McHenry, R-N.C., one of those urging steep budget cuts to pay for hurricane recovery, said the initiative must be accomplished without raising taxes or adding to the national debt, which recently surpassed the $8 trillion mark.

First, where is the model under which Sesame Street could bring in the revenues required to replace 1.8 billion over ten years? Wouldn’t that require Sesame Workshop to take the money that is currently going into the funding of new programs that they produce and instead funnel it into public broadcasting? Would the Republican Study Committee ever dare to suggest that Disney and Universal should be required to pay the upkeep on America’s cable systems?

Second, why is it not questionable for the tobacco industry to fund non-smoking initiatives (not to mention the Partnership for a Drug-Free America), but it’s questionable for Playboy to fund a documentary on sex education? Wouldn’t Playboy’s funding of sex education suggest a level of social responsibility that more corporations could stand to adopt?

And third, I love the fact that this initiative “must be accomplished without raising taxes or adding to the national debt.” Again – where was this reasoning when George W. Bush slashed taxes? And where was this thrift when the war in Iraq started?

“When the families of my district in western North Carolina have unforeseen expenses arise, they have to look for other, less-important items to cut from the family budget,” Mr. McHenry said. “Government needs to apply that same common sense. We must not allow the liberals in Congress to politicize this issue and use it as their latest excuse to raise taxes.”

I may not be in Congress, but I am a liberal. And proud of it. And I will politicize this issue. And I won’t use it as an excuse to raise taxes, because this is what taxes exist to do. An “excuse” implies that there is no good reason. Taxes are supposed to pay for the government to provide for its citizens, but the Republican Congress and the current administration have cut taxes to their wealthy friends and cut services to the average American while rewarding fat no-bid contracts to America’s privileged.

And I will not be attacked for politicizing an issue that is already political when the Republicans have politicized everything from medical marijuana to missing blonde teenagers to the status of a single brain-dead woman in Florida.

Mr. McHenry cited Mississippi Gov. Haley Barbour, a Republican, who said Hurricane Katrina destroyed every school in four of his state’s counties.

“Eliminating the federal share of CPB funding would free up $400 million this year,” he said. “That is enough money to build 40 elementary schools.”

“Certainly, public television has its benefits, but we have to be responsible and choose our priorities,” he said. “What is more important, funding the Lehrer News Hour or building schools to educate our children?”

This is the closest McHenry – or anybody associated with this initiative – gets to making a valid point. Too bad that it’s a sideways attack dependent on pure emotional response that smacks of hypocrisy when coming from the conservative movement.

First of all, the “Lehrer News Hour” is part of an effort to continue education beyond the schools. Part of the reason we have public broadcasting in the first place is a recognition that education continues after one has been handed their diploma, and a recognition that free access to information is an important part of that continuing education. To suggest that public television stands in opposition to our educational system is to miss the fact that public television is a part of our educational system – not to mention neglecting the fact that public schools have been using public television since at least the 1980’s as a source of quality educational programming that can supplement classroom learning.

And second, the conservative movement has consistently attacked public education from all sides. They have called it worthless, suggested that it is a drain on our resources, have consistently sought to privatize it, have cut its funding, and have treated its teachers as second-class workers. Their sudden concern for the educational system is almost as sincere as their sudden thrift in terms of the budget.

The fact is that public broadcasting and funding of the arts and humanities has long been a thorn in the side of conservatives. This latest attack is not the result of a new-found conscience, nor is it a principled reaction to the disaster in New Orleans. It is a justification of the same old chestnut that Republicans pull out every time they feel they have the upper hand – that public broadcasting and the NEA are bad for ‘Merica and must be destroyed. If you want to look for excuses, look to the right. That’s where you’ll find the arguments that don’t make sense.

Wednesday, October 19th, 2005

How a thumbtack can get you arrested…

Admittedly, assigning students to do something – anything – that involves exercising their Constitutional rights is going to create some controversy, what with all that free speech ‘n’ stuff the Bill of Rights promises to citizens of the United States. That said, the reaction to a student who took a picture of a poster of George W. Bush with a thumbtack through its forehead seems to suggest a level of, shall we say, paranoia?

Jarvis had assigned her senior civics and economics class “to take photographs to illustrate their rights in the Bill of Rights,” she says. One student “had taken a photo of George Bush out of a magazine and tacked the picture to a wall with a red thumb tack through his head. Then he made a thumb’s-down sign with his own hand next to the President’s picture, and he had a photo taken of that, and he pasted it on a poster.”

According to Jarvis, the student, who remains anonymous, was just doing his assignment, illustrating the right to dissent. But over at the Kitty Hawk Wal-Mart, where the student took his film to be developed, this right is evidently suspect.

An employee in that Wal-Mart photo department called the Kitty Hawk police on the student. And the Kitty Hawk police turned the matter over to the Secret Service. On Tuesday, September 20, the Secret Service came to Currituck High.

At the end of the meeting, they told her [Jarvis] the incident “would be interpreted by the U.S. attorney, who would decide whether the student could be indicted,” she says.

The story is made all the more surreal by the involvement of corporate conglomerate and all-around bad guys Wal-Mart. Anybody who uses Wal-Mart to develop film for their art projects is asking for trouble. But considering that this artist was a student working on a school project, we’re going to let that slide. Just as a note, however, Wal-Mart’s automated development slices ‘n’ dices negatives exposed in an older SLR camera, and their content guidelines are nebulous enough that only the most innocuous of family snaps will get through – and don’t even get me started about their dubious policies on digital files.

Saturday, October 15th, 2005

The Random Ten, Yo!

It’s time once again to fire up iTunes, put it on shuffle, and watch it go.

  1. “St. Louis Blues” – Original Dixieland Jazz Band
  2. “Closer” – Richard Cheese
  3. “Al Maddath Maula” – Soundtrack to Mangal Pandey
  4. “Title of the Song” – DaVinci’s Notebook
  5. “Super Bon Bon” – Soul Coughing
  6. “Tartine de Merde” – Randy Newman
  7. “All or Nothing” – Milli Vanilli
  8. “Fell in Love With a Girl” – The White Stripes
  9. “Darkness All Around” – Eskju Divine
  10. “Friend of the Devil” – The Grateful Dead

And the super-secret guilty pleasure track: “Eazy Breezy” by Utada.

Friday, October 14th, 2005

A breaking story on the Miers nomination…

This just in.

Recently released documents show that in addition to Miers’ already disclosed close connections to George W. Bush, she has frequently used the word “cool” in personal correspondence.

AUSTIN, Tex., Oct. 10 – “You are the best governor ever – deserving of great respect,” Harriet E. Miers wrote to George W. Bush days after his 51st birthday in July 1997. She also found him “cool,” said he and his wife, Laura, were “the greatest!” and told him: “Keep up the great work. Texas is blessed.”

The notes to Mr. Bush date from at least March 1995, around the time he named her to the lottery commission, the files show. On March 25, on the letterhead of her Dallas law firm, Locke Purnell Rain Harrell, Ms. Miers wrote to thank him “for taking the time to visit in the office and on the plane back – cool!”

In October 1997, Ms. Miers sent Mr. Bush a flowery greeting card in thanks for a letter that he had written on her behalf. In it, she said of his daughters: “Hopefully Jenna and Barbara recognize that their parents are ‘cool’ – as do the rest of us.”

So, to sum up: Miers is not only an old friend, but also apparently the teenybopper president of the George W. Bush Fan Club and the editor-in-chief of their “Cool Prez!” fanzine.

Do we see anything that actually reflects Miers’ judicial philosophy?

Minutes of commission meetings showed Ms. Miers in command, questioning employees and other commissioners on topics like advertising, charitable bingo operations and bids to help manage the lotteries. One lawmaker asked what groups could run bingo, saying, “Could the Ku Klux Klan?”

Ms. Miers responded, “Well, I would certainly hope not.”

Ah. What a refreshing approach to the law.

Tuesday, October 11th, 2005

Random Ten, Yo.

Set the iPod to shuffle and away we go!

  1. “Has Been” – William Shatner
  2. “Teenage Wasteland” – Dirschl und Starzinger
  3. “Sloop John B (Live)” – Carbon Leaf
  4. “5 O’clock in the Morning” – The Donnas
  5. “Sonnet 3 (The Cold is Here)” – The Crash Test Dummies
  6. “Happier (Live)” – Guster
  7. “Paint It Black” – Gil Scott-Heron
  8. “I’m Not Missing You” – Bering Strait
  9. “Rock Sweet Rock” – Bob Marley & The Wailers
  10. “Inferno” – Miranda Sex Garden

Guilty Pleasure: “Bat out of Hell” – Meatloaf

Friday, October 7th, 2005

Taking the long view.

Who says the Republicans never take the long view? Why, they’re looking into all of the money we could save if we just axe the National Endowment for the Arts, PBS, and the National Endowment for the Humanities!

“In 2001, America spent $27 billion on nonprofit arts funding: $11.5 billion from the private sector; $14 billion in earned income (tickets sales, etc.); and $1.3 billion in combined federal, state, and local public support (of which $105 million was from the NEA—0.39% of total nonprofit arts funding),” the report states. “The funding could easily be funded by private donations. Savings: $1.8 billion over ten years ($678 million over five years).”

As for public television, the report notes, “CPB, which receives $400 million annually from Congress, funds the Public Broadcasting Service at 15% of its annual budget. The other 85% of PBS’s budget comes from viewer donations, local government, and universities. CPB and PBS continue to use federal funding to pay for questionable programming, such as a documentary on sex education funded by the Playboy Foundation. Additionally, much of the programming on PBS, such as ‘Sesame Street,’ could bring in enough annual revenues to cover the loss of federal funding. Savings: $5.6 billion over ten years ($2.2 billion over five years).”

The report does not indicate specifically how programs such as “Sesame Street” could raise that revenue.

The RSC has also recommended eliminating the National Endowment for the Humanities, which supports research, education, preservation, and public programs in the humanities. “As with the NEA, the general public benefits very little” from the NEH, the report declares, “and it could easily be funded by private donations. Savings: $2 billion over ten years ($769 million over five years).”

See? Why, with those numbers, if we pull out of Iraq as I type this, we’ll manage to pay for it in saved Arts and Humanities funds in only 210 years! Long term thinking!

Oops! Now it’s 211. Darn my slow math.

Thursday, October 6th, 2005

All Work and No Play…

We all know that a really good preview doesn’t necessarily make a really good movie. Similarly, there have been movies that were worlds better than their previews suggested. It’s all in the magic of editing.

Once you’ve mastered the dark art of splicing scenes, cutting lines together out of context, and adding in the appropriate (or inappropriate) music, the actual nature of the movie ceases to matter – all that matters is what the studio wants to sell.

Do you truly need evidence of the power of the editor?

Very well then. Check out Making Light, where you’ll find links to two re-edited trailers. I can’t decide which one I like better, but I’m leaning toward the trailer for The Shining. It’s so deliciously wrong.

Wednesday, October 5th, 2005